Dollywood confidential
Sunday night's Stephen Colbert-hosted Emmy awards broadcast fully met expectations, as a poncy parade of powdery silver-screen snoots took turns under-handing slurs at the President of the United States.
By logical extension, the American people who support Trump, and the country itself, were also targets of the foppish Hollywood hissters.
Positively adrip with show-people contemptuousness for Real America, the Emmy Awards broadcast reaped the lowest ratings ever posted by that stomach-turning orgy of self-congratulation.
Average Americans in their living rooms by now know to avoid the treasonous, glittering falderal Hollywood invariably choreographs. (Despite this broadcast crashing into utter splinters, though, next year's show will surely be cut from the same scornful fabric. They hate us even more than they covet viewership.)
Dolly Parton, Lily Tomlin, and Jane Fonda appeared onstage, both to clumsily reference their 1980 film 9 To 5, and gigglingly smear the President. (Apparently, you can take Jane out of Hanoi, but you can't take Hanoi out of Jane.)
Sunday night's Stephen Colbert-hosted Emmy awards broadcast fully met expectations, as a poncy parade of powdery silver-screen snoots took turns under-handing slurs at the President of the United States.
By logical extension, the American people who support Trump, and the country itself, were also targets of the foppish Hollywood hissters.
Positively adrip with show-people contemptuousness for Real America, the Emmy Awards broadcast reaped the lowest ratings ever posted by that stomach-turning orgy of self-congratulation.
Average Americans in their living rooms by now know to avoid the treasonous, glittering falderal Hollywood invariably choreographs. (Despite this broadcast crashing into utter splinters, though, next year's show will surely be cut from the same scornful fabric. They hate us even more than they covet viewership.)
Dolly Parton, Lily Tomlin, and Jane Fonda appeared onstage, both to clumsily reference their 1980 film 9 To 5, and gigglingly smear the President. (Apparently, you can take Jane out of Hanoi, but you can't take Hanoi out of Jane.)
Some critics have noted that Parton herself did not comment during the awkward anti-Trump dido, merely raising her eyebrows as Tomlin and Fonda read scripted attacks. Those observers suspect Parton's silence might indicate disagreement with her erstwhile co-stars.
But, the singer hardly deserves exemption from sharing in the blame for only driving the getaway car.
Parton well knows of Left intolerance. Only recently, an identity-addled Slate essayist joined in contemporary mania for historical reinvention, decrying Dollywood's Dixie Stampede. And, of course, she has throughout her career made much of the 'common folks' theme.
Given that, her volitional cooperation in the Emmy broadcast's flat anti-regular Americans antic conflicts with both her experience and cultivated image.
Dolly Parton may have chosen to participate in an act for which she did not herself feel enthusiasm, but that offered her profit. I believe there's a word for that.
But, the singer hardly deserves exemption from sharing in the blame for only driving the getaway car.
Parton well knows of Left intolerance. Only recently, an identity-addled Slate essayist joined in contemporary mania for historical reinvention, decrying Dollywood's Dixie Stampede. And, of course, she has throughout her career made much of the 'common folks' theme.
Given that, her volitional cooperation in the Emmy broadcast's flat anti-regular Americans antic conflicts with both her experience and cultivated image.
Dolly Parton may have chosen to participate in an act for which she did not herself feel enthusiasm, but that offered her profit. I believe there's a word for that.
posted by DC Larson at
September 18, 2017
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